QueryTracker Blog

Helping Authors Find Literary Agents

Wednesday, February 2, 2011

Non-Fiction & Fiction: Not So Different After All

We are so excited for long-time QueryTracker member, Michelle Mclean, whose first book, Homework Helpers: Essays and Term Papers, was recently released. 


Michelle writes non-fiction and fiction and was kind enough to write an article for QT on the requirements of both. We are thrilled to feature her today. Thanks, Michelle.

* * *

I always used to think that fiction and non-fiction were worlds apart, completely different things. And they are in some respects. But when it comes right down to it, non-fiction and fiction really aren’t so different. For both genres you need to:

Be aware of your audience – write using language and scenarios appropriate for your target audience. You shouldn’t pepper your non-fiction book with undecipherable technical jargon or pages of high-level, field-specific terminology and examples if your book is geared toward younger students or the general public…anymore than you should describe horrific murder scenes or other graphic imagery in a child’s picture book.

Stick to your point – in non-fiction, especially with projects like essays and term papers, this point is spelled out in your thesis and your entire paper should be focused on proving and supporting your thesis. For fiction, this often translates into the main motivation or goal of your main character. If the entire point of the book is for your main character to save the world, then everything that happens in the book should be leading your main character to the desired end.

Watch flow, pacing, and word count – no matter what genre you are writing in, there is almost always an accepted guideline for how long your project should be. Whether it be a “sweet-spot” word count range for a novel, a contracted word count length for a non-fiction book, or a page requirement for a writing assignment, you will almost always have some sort of length goal to meet. You need to be sure that the pacing and flow of whatever you are writing will hold up till the last page and is appropriate for the project at hand. Your projects need pacing quick enough to hold your audience’s interest but not so quick you lose them, with scenes and arguments and evidence laid out in a logical and well-flowing manner.

Make it matter – regardless of what you are writing, you want it to matter to your audience. The last thing you want to do is bore them or lose them. So make every word matter. Be economical – reading can be hard work, it’s time-consuming. Don’t make your audience work harder to get your point than they need to. Keep it active – nothing is more boring than reading a book of passive sentences. Keep it logical – who wants to be more confused at the end of your piece than they were at the beginning? Above all – make it matter! Give your audience a reason to care….a reason to care what happens to your main character; a reason to care about your thesis; a reason to care about whatever it is you are writing about.

In the end, all writing is the same. Non-fiction writers, fiction writers…we all want the same thing. To connect with our audience and make them care about what we are writing.

* * *

Michelle McLean is a writer and the Chief Editorial Consultant for PixelMags, LLC. In addition to her non-fiction work, Michelle writes YA historical novels and other children’s books. If she's not editing, reading or chasing her kids, she can usually be found in a quiet corner working on her next book.


Homework Helpers: Essays and Term Papers is a fun, user-friendly book that guides the reader, step by step, through writing a dozen different types of essays, including the dreaded SAT essay. Using straightforward, plain English, this book shows the reader exactly what they need to do, from start to finish, and includes rough draft, edited, and final draft versions of every type of essay discussed. This book also provides chapters that include tips and instruction on researching, proofreading, and citations.

Monday, January 31, 2011

Once Upon a *YAWN*

Courtesy of Just4You

A reader asked: "What makes a boring story?"


Books, like any art form, are extremely subjective. What bores one person, could be riveting to the next. And as authors, writing a boring book is one of the biggest--if not THE biggest--thing we want to avoid. Because if a reader perceives a book as boring, they might not only put the book down there, but might also avoid any of your books in the future.


So, how not to write a boring story?


There are three basic things I think that can go a long way toward minimizing the dreaded boring story: voice, giving your audience a sense of wonder, and being an evil author.


VOICE
Defining voice is a lot like trying to describe the way salt tastes--without using the word salty--or telling someone what the color blue looks like, especially if they've never seen it before. But for me, voice is the soul of the story. It's the author's fingerprint, the words they choose, and the way they structure them. The ambiance and atmosphere of the story. It has been said that you can have an out of this world premise, but if you execute it badly, the premise will no longer matter, because the book will fall flat. On the other hand, you can have an ordinary premise, but if you execute it well, then you have the chance to go far. And I truly believe this. I've fallen in love with stories that lack Big! Exciting! Things! in them, but have an incredible voice that resonates with me and becomes a part of me long after the happily ever after. So, find your voice and continue to refine and strengthen it until it shines.


BRING YOUR AUDIENCE A SENSE OF WONDER
This is another salt and blue question in a lot of ways. What gives someone a sense of wonder? I believe that this sense of wonder can come from different places. It could be the setting, the voice, the premise. It can also be taking a reader's expectations and turning them inside out and upside down. Humor is often used this way. A scenario is presented, the reader expects something, and the writer gives them something else. (An example of this type of humor would be the movie The Emperor's New Groove.) Setting can be incredibly important to a story, and should definitely have a role, if not a personality of its own. This is why a lot of novels have exotic settings--especially if you go into the fantasy and science fiction genres. These are the genres of wonder. Paraphrasing a quote I've searched for and cannot find, fairy tales have golden apples to remind us of the way it felt when we experienced a regular apple for the first time. Bringing a sense of wonder into your novel can be an excellent hook that makes the reader want to keep reading.


BE AN EVIL AUTHOR
This is perhaps the thing I love most about being an author--giving myself the chance to torture and torment my characters. One of the fastest ways to a boring book, in my opinion, is to go easy on your characters. Let them succeed over and over and over again. Let them get what they want without really paying much by way of a price. If the stakes are low or non-existent, I usually end up putting the book down. Because, after all, what's the point? I think, in a lot of ways, readers connect to the characters more and more as the story evolves, going from one try/fail cycle to the next and as the tension mounts up towards the climax of the story. Characterization is important, but even the most compelling characters would fall short of their potential if the story didn't stretch and pull them, testing their limits and making them grow. And you do that by making things hard for them. The thought sitting--well, actually crouching--at the back of my mind while I write is: what's the worst thing that could happen. And then I make it so. Now, this doesn't mean that every second of the story is heart pounding, breath stopping, bad things happening. Oh, no. >:) It's also a good idea to use those scenes where things are going all right for the moment and the characters are happy to build up for the fall that's coming later on. Think of it like building a tower of blocks. Knocking over a tower that's only 2-5 blocks tall is more of a fizzle than anything else. But knocking over one thats 50-100 blocks tall? Much more exciting to your visual and aural senses.


So there you have it. Three basic things that can help you avoid writing a boring story. Any other tips and suggestions?


Danyelle writes MG and YA fantasy. In her spare time, she collects dragons, talking frogs, and fairy godmothers. She can be found discussing the art of turning one's characters into various animals, painting with words, and the best ways to avoid getting eaten by dragons on her blog. 

Friday, January 28, 2011

Publishing Pulse: 1/28/1011

Success Stories

We are so proud of our QT successes! Check out the latest success stories! (And if you've never checked out a success story, you might want to -- the writers often share secrets about the query letters that landed their agents.)

Around the Internet

Over on Rachelle Gardner's blog, Keli Gwyn talks about questions you may want to ask yourself if/when an agent suggests revisions.

Have trouble staying focused on one story over the long haul?  Always thinking of something new and exciting to write about?  Maybe you're a Renaissance Soul!  Read Michelle Ward's tips on how to use your personality type to your advantage over on There Are No Rules. 

Ever wonder what an agent means when she says she's looking for a strong "voice" in a story?  Jessica Faust succinctly explains what that means over at BookEnds, LLC.

Rachelle Gardner gives tips on platform, regardless of whether you're writing nonfiction, fiction, or a memoir, in A Platform is More Than a Bunch of Twitter Followers.

Quote for the Week

You can't wait for inspiration. You have to go after it with a club. —Jack London

Everybody have a great weekend!

Wednesday, January 26, 2011

Querying The Cliché

Recently I heard a writer complaining that the "rules" for querying were impossible to follow. She pointed out that there are only eight (or twelve, or four) standard plots, and therefore it's ridiculous for agents to issue decrees such as "Don't tell us it's a story of forbidden love: that's cliché." Or "Don't say 'choosing between life and love.' That's overdone."

In effect her question was this: What if your story really is about forbidden love, or about choosing between life and love, or could be quickly described by some other cliché? Are they saying you can't query it?

Of course you can query it. If there are only four (or eight or twelve) standard plots in the world, you can assume there's going to be some repetition.

Therefore it's up to you to do your future literary agent a favor. Assume your future agent goes to  her inbox every day to find a hundred new queries. She's read all the clichés. She wants to find something she'll enjoy, but in order to enjoy your story, she needs something to remember. Something specific.

Remember that a cliché is a shortcut. And when you use one to describe your own work, you're giving only a surface rendering of a story with depth. Work harder. Give it that depth.

It's cliché to say, "Theirs is a forbidden love." Instead you say, "Mom has taken out a restraining order against Tanner, so Emily learns to scale the chimney in order to sneak out at night."

You don't write in your query, "Choosing between life and love," but you do say, "Unless Steve hands over the Omega Stone, the Bertrandians will drop Esmeralda into the vat of boiling oil."

You have to "show-don't-tell" in your query the same way you do in your manuscript.

A coming of age story? No. A teenager whose mother just died, struggling to guide his young brother through their father's emotional absence? Better. A high school dropout choosing between a joyride with his garage band buddies or protecting his ten-year-old brother from their drunken father's rampages? Memorable because we can feel for the characters.

The specifics are the difference between a cliché and a compelling story.  If your future agent really is receiving a hundred queries a week about forbidden love, make it so she remembers yours.

---
Jane Lebak is the author of The Guardian (Thomas Nelson, 1994), Seven Archangels: Annihilation (Double-Edged Publishing, 2008) and The Boys Upstairs(this December from MuseItUp). At Seven Angels, Four Kids, One Family, she blogs about what happens when a distracted daydreamer and a gamer geek attempt to raise four children. She is represented by the amazing Roseanne Wells of the Marianne Strong Literary Agency.

Monday, January 24, 2011

Interview with a Winning Winner!



Writers love writing contests. That’s obvious by the number who flock to the Query Tracker blog contests. But have you ever wondered what happens to the winners after the agent picks their entry for a prize? Most of the time, the agent ends up passing on the project. Not so for one of the winners in the April 2010 contest with Jason Yarn. Out of the five winners, Amy Sue Nathan went onto become one of his clients.
We decided it would only be fitting to interview Amy and share her great news. Here’s the winner entry with Jason’s comments, followed by the interview with her. Enjoy!

THE GLASS HOUSE by Amy Sue Nathan: Ms. Nathan’s pitch was solid, but didn’t totally grab me. What did grab me, and what I thought should have been her pitch, was the first line in her excerpt. It’s a great contrasting image. That line made me very curious about the rest of the book and the subsequent paragraph was a nice layout to what’s to come for Evie Glass.
Amy Sue's pitch:
Amidst a torrent of grief, betrayal and bake sales, Evie Glass convinces herself, and a town full of nosy neighbors, to redefine the meaning of family.

Amy Sue's excerpt:
Evie never expected to get divorced, let alone sit Shiva for her ex-husband in a house with a Christmas tree. Yet there she was.

The imitation pine tree was dressed in tinsel and shiny red balls. Hallmark ornaments masquerading as heirlooms dangled from its branches. Stockings hung from the mantel above a card table topped with a green velveteen runner, holly-stamped paper plates and a Lucite platter heaped with lox, cream cheese balls and a mountain of seeded bagels. Richard had mocked Christmas folderol until he married Nicole a year before. Now he was being mourned in the company of a motorized Santa. Evie shook her head, unsure which was more shocking – the attempt for cultural balance or Richard’s sudden death.

How far into the querying process were you when you heard about the contest on the QTblog?
I started querying right after New Year’s Day 2010, and the contest was at the end of March. 

Had you entered any other contest for your book?
I entered another online contest for the first chapter and won – the recognition was great but it wasn’t an agent contest. 

You were awarded with a query and first ten page critique. How was the experience?
It was exciting and very encouraging because Jason was so enthusiastic. It was a slow process, because agents are so busy, so I kept querying other agents, following up with Jason, and moving forward.

Jason ended up offering representation. How did that come about?
Jason asked if he could read the full and after that happened, we talked on the phone.  Jason suggested some places and ways to tweak the novel.  I agreed with his ideas and to make those changes and resubmit the full to him.  He emailed me his extensive notes, I revised the novel and emailed it back. All that happened over the summer.

How long did the whole process take from the time you found out you were one of the winners until the moment the offer for representation came?
A long time but was it was worth the wait!  The contest was at the end of March 2010 and I signed with Jason in October 2010.  I think the most important thing for querying authors to have (besides a great book) is patience.  I started querying in January and signed in October. The whole process took more time than having a baby!

What was one of the most surprising things you learned in creating your book?
Good feedback may really change something about your book, but if it’s still within your vision for the story, and makes the book better, it’s smart to go with it.  Don’t be so possessive of the story and your writer’s ego that you’re unwilling to see where it isn’t perfect.

Was there ever a time you felt like giving up? Why didn’t you?
I never considered giving up.  I used QueryTracker to send over 125 queries in ten months.  I received my share of no replies and form rejections, but I also received gems – very helpful notes that helped me revise, and a few nice notes to send revisions or the next project, and up to the end, I was communicating with a few agents who were interested.  Had I not signed with any agent, I’d have started writing the query for my second novel. 

What happened next?
My novel went out on submission!

Anything you’d like to say to aspiring authors everywhere?
Don’t let the publishing gremlins get you down. 
Amy Sue Nathan is a published freelance writer and editor, and the editor of STET! The Backspace Blog and the Backspace monthly newsletter.  You can read Amy's writing and find more information on editing and critique services on her blog.  You can also follow her on Twitter @AmySueNathan. 

For those of you itching to enter a contest, please stay tuned. We have more planned for this year. Hopefully this will be one of many success stories in 2011.

 
Stina Lindenblatt writes romantic suspense and young adults novels. In her spare time, she’s a photographer and blogging addict, and can be found hanging out on her blog, Seeing Creative. 

Friday, January 21, 2011

Publishing Pulse: 1/21/11


The QueryTracker Newsletter


Did you know that QueryTracker has a monthly email newsletter? The newsletter contains agent information, articles of interest to authors seeking representation, and highlights ways to use QT in your agent search. If you haven't subscribed already, it's free at http://QueryTracker.net/index.php.


Recent QueryTracker Success Stories

Congratulations to our members who signed with agents this week. All the QT success stories can be checked out here.



QTer Michelle Mclean's first book, Essays & Term Papers, was released yesterday! Congratulations Michelle! 


New Agents Added to the QueryTracker Database

Several new agents and publishers have been added to or updated on the QT Database recently. Check out the box labeled "New and Updated Listings" on the front page of the main QueryTracker.Net site and view their profiles for website links and genres they represent.

Tips, News & Other Interesting Info from Around the 'Net

Literary agent Janet Reid explains the difference between "pitch" and "query" on her blog. 

Guest blogger Mary Demuth lists 10 ways to be awkward at a writer's conference on literary agent Rachelle Gardner's blog. 


Nathan Bransford once blogged about how sometimes writers' fantasies of success can be detrimental and here is an article from Psyblog backing that up called Success! Why Expectations Beat Fantasies. 

Author Sarah Sundin gives practical tips on how to increase productivity and tame time on the Novel Journey blog. 

You can read an editor's take on the how and why of pre-publication changes over on the Behler Blog. 

Online Conference: It's now registration time for the Catholic Writers Conference Online, which anyone can join (You do not have to be Catholic). It's free and there will be editors and agents to pitch in addition to classes on a variety of topics, many of which have to do with the craft of writing. And...QT's very own Jane Lebak will be teaching two workshops there. One is a short story workshop with a limited membership, and one is a workshop on how to write an awesome query. 

Wishing everyone a fabulous weekend.

Mary

Wednesday, January 19, 2011

Celebrating Rejection

Courtesy of pdufour
As writers, I think we know just as well as anyone what it means to be rejected. To feel that we don't measure up or aren't good enough. And to hear this over and over and over again until we start to wonder if it might be true.


This is one of the things that makes pursuing a career in writing so difficult. Because, you see, the rejections don't end once an agent agrees to represent you. Publishers will likely end up rejecting you at some point, as will some of the audience. In truth, rejections will happen your entire career, because there is no possible way to be everything to everyone.


And that's all right.


But today, I'd like to celebrate the thousands of rejections we'll all receive in life. From the agent, to the editor, to the reviewers, and even sometimes from those that we love and hold the closest.


But why celebrate something that can be so painful? Something that we sometimes even come to believe for a time? Because rejection is proof that you're not just existing--you're living.


If you never dreamed, never tried, you would never put yourself out there. You would never spend hours and hours writing and rewriting and fixing and polishing and doing it all over again, if you didn't have something important to say. You wouldn't spend time learning how to craft a query letter, write up a synopsis, come up with a tagline and keep working on it until you got it right if you didn't believe in what you were doing.


And you wouldn't then send out those queries, those manuscripts, knowing full well that most of them will come back with a rejection attached if you wanted to live quietly in a safe and sheltered world.


Because by daring to dream, by taking that risk, by opening yourself up for rejection, you are living. And it takes courage to live, to try, to fail, and to succeed. Those rejections cluttering up the dark corners of your inbox are a testament that you have thrown off safe and secure, that you've stepped out of the black and white into a world filled with color and possibility.


And that is something very much worth celebrating.

Danyelle writes MG and YA fantasy. In her spare time, she collects dragons, talking frogs, and fairy godmothers. She can be found discussing the art of turning one's characters into various animals, painting with words, and the best ways to avoid getting eaten by dragons on her blog.