Showing posts with label jason yarn. Show all posts
Showing posts with label jason yarn. Show all posts
Wednesday, May 15, 2013
Catching Up with Our Now-Published Contest Winner
Amy Sue Nathan was one of the five winners in our April 2010 contest with agent Jason Yarn. She went on to become one of Jason's clients, and her first novel, The Glass Wives, came out yesterday. We're pleased to be able to find out how far she's come since our last interview with her!
Tell us a little bit about your novel and where people can learn more about it and where they can get it.
THE GLASS WIVES is about Evie Glass, a divorced mom whose ex-husband dies suddenly leaving her the only parent of ten-year-old twins. Then, when Evie finds she’s strapped for cash, she takes in her ex’s widow and baby, so they can share living expenses and childcare. Troubled by this decision, Evie’s friends and family try to intervene, forcing Evie to walk out on long-time friendships until the widow causes a ruckus of her own. That’s when Evie has to decide who she can trust, and what really makes a family.
On May 14th THE GLASS WIVES became available in bookstores (indies and Barnes & Noble) as well as at Target stores. It's also available online everywhere books are sold.
What inspired you to write The Glass Wives? Where did the idea for this story come from?
Like my main character, Evie, I’m a divorced mom in a suburb where everyone is married. And like Evie, my ex-husband passed away suddenly. When I divorced, I felt that some people were uncomfortable having a single mom for a friend. When my ex-husband died, well, they just didn’t know what to do with me, or my kids. We didn’t fit into any of the fixed suburban circles and frankly, I think the sadness in our lives overwhelmed them. Writing this novel allowed me to put this kind of discomfort—and its ramifications—on display and show that families are equal no matter their parts, and that the term broken home is outdated. There may be a few cracks in our walls, but broken? No way.
The sales aspect of writing—producing a good pitch and query and providing a great excerpt—can be very challenging for some writers. How did you learn to produce such catchy material? Were there any particular resources you used?
I have always belonged to writing groups and online forums, but I'd say in the years leading up to up querying my novel, the best resource was Backspace, where traditionally published authors (Karen Dionne, Randy Susan Meyers, Keith Cronin, and A.S. King, for example) and a few literary agents, were kind enough to give me tips, guidance, and advice that I always took to heart.
Do you have a writing routine?
When I'm on track I write fiction in the morning and non-fiction—essays, blog posts, interview questions, and interview answers (like these)—in the afternoon and evening. Working at home and being a single mom means I have to be flexible. Today my daughter had a doctor's appointment in the morning, so I did my fiction writing in the afternoon. But my preference will always be morning. I'm an early bird!
What is the single best piece of writing advice you've ever gotten?
Recently, while working on the beginning of my new novel, I kept thinking about best-seller trends and what my editor would be looking for. I considered fitting elements like magical realism or a heated romance, into my new story. And then Therese Walsh, author of The Last Will of Moira Leahy and co-founder of Writer Unboxed told me something very simple: separate the craft from the business. I wrote it on a sticky note and stuck it to my computer. She was right. I couldn’t worry about whether the book would sell, all I could do, at that moment, was to tell the story I needed to tell. And for me that story does not include zombies or a hot shirtless hero. At least not today.
What has been the hardest or most surprising thing you've learned on the journey between the time Jason began submitting to editors and your publication date?
That patience in publishing is not simply a virtue, it's a necessity.
What is the most important (or surprising) thing you've learned about publicity as you near your publication date? Do you have any advice for others on publicity?
I've learned there's no such thing as too much publicity. I'm not sure about "any publicity is good publicity" adage, but we'll see! My advice would be to seize every opportunity to build relationships with readers and other writers because in the long run that will go farther than hundreds of "buy my book" tweets.
Are you working on any new projects? Can you tell us anything about them?
Absolutely! I'm always working on a few things, and right now I'm writing a novel about a blogger who tells lies online and keeps secrets in real life and what happen to make her finally truth. I'm also jotting down notes for two more book ideas I'm excited about. I know if I don't write down my ideas I'll lose them. Sometimes my best scenes are written on the backs of envelopes or napkins while I'm standing in the kitchen or parked in a parking lot!
Visit Amy Sue Nathan on her website, Twitter @AmySueNathan, or Facebook!
Monday, January 24, 2011
Interview with a Winning Winner!
Writers love writing contests. That’s obvious by the number who flock to the Query Tracker blog contests. But have you ever wondered what happens to the winners after the agent picks their entry for a prize? Most of the time, the agent ends up passing on the project. Not so for one of the winners in the April 2010 contest with Jason Yarn. Out of the five winners, Amy Sue Nathan went onto become one of his clients.
We decided it would only be fitting to interview Amy and share her great news. Here’s the winner entry with Jason’s comments, followed by the interview with her. Enjoy!
THE GLASS HOUSE by Amy Sue Nathan: Ms. Nathan’s pitch was solid, but didn’t totally grab me. What did grab me, and what I thought should have been her pitch, was the first line in her excerpt. It’s a great contrasting image. That line made me very curious about the rest of the book and the subsequent paragraph was a nice layout to what’s to come for Evie Glass.
Amy Sue's pitch:
Amidst a torrent of grief, betrayal and bake sales, Evie Glass convinces herself, and a town full of nosy neighbors, to redefine the meaning of family.
Amidst a torrent of grief, betrayal and bake sales, Evie Glass convinces herself, and a town full of nosy neighbors, to redefine the meaning of family.
Amy Sue's excerpt:
Evie never expected to get divorced, let alone sit Shiva for her ex-husband in a house with a Christmas tree. Yet there she was.
The imitation pine tree was dressed in tinsel and shiny red balls. Hallmark ornaments masquerading as heirlooms dangled from its branches. Stockings hung from the mantel above a card table topped with a green velveteen runner, holly-stamped paper plates and a Lucite platter heaped with lox, cream cheese balls and a mountain of seeded bagels. Richard had mocked Christmas folderol until he married Nicole a year before. Now he was being mourned in the company of a motorized Santa. Evie shook her head, unsure which was more shocking – the attempt for cultural balance or Richard’s sudden death.
Evie never expected to get divorced, let alone sit Shiva for her ex-husband in a house with a Christmas tree. Yet there she was.
The imitation pine tree was dressed in tinsel and shiny red balls. Hallmark ornaments masquerading as heirlooms dangled from its branches. Stockings hung from the mantel above a card table topped with a green velveteen runner, holly-stamped paper plates and a Lucite platter heaped with lox, cream cheese balls and a mountain of seeded bagels. Richard had mocked Christmas folderol until he married Nicole a year before. Now he was being mourned in the company of a motorized Santa. Evie shook her head, unsure which was more shocking – the attempt for cultural balance or Richard’s sudden death.
How far into the querying process were you when you heard about the contest on the QTblog?
I started querying right after New Year’s Day 2010, and the contest was at the end of March.
Had you entered any other contest for your book?
I entered another online contest for the first chapter and won – the recognition was great but it wasn’t an agent contest.
You were awarded with a query and first ten page critique. How was the experience?
It was exciting and very encouraging because Jason was so enthusiastic. It was a slow process, because agents are so busy, so I kept querying other agents, following up with Jason, and moving forward.
Jason ended up offering representation. How did that come about?
Jason asked if he could read the full and after that happened, we talked on the phone. Jason suggested some places and ways to tweak the novel. I agreed with his ideas and to make those changes and resubmit the full to him. He emailed me his extensive notes, I revised the novel and emailed it back. All that happened over the summer.
How long did the whole process take from the time you found out you were one of the winners until the moment the offer for representation came?
A long time but was it was worth the wait! The contest was at the end of March 2010 and I signed with Jason in October 2010. I think the most important thing for querying authors to have (besides a great book) is patience. I started querying in January and signed in October. The whole process took more time than having a baby!
What was one of the most surprising things you learned in creating your book?
Good feedback may really change something about your book, but if it’s still within your vision for the story, and makes the book better, it’s smart to go with it. Don’t be so possessive of the story and your writer’s ego that you’re unwilling to see where it isn’t perfect.
Was there ever a time you felt like giving up? Why didn’t you?
I never considered giving up. I used QueryTracker to send over 125 queries in ten months. I received my share of no replies and form rejections, but I also received gems – very helpful notes that helped me revise, and a few nice notes to send revisions or the next project, and up to the end, I was communicating with a few agents who were interested. Had I not signed with any agent, I’d have started writing the query for my second novel.
What happened next?
My novel went out on submission!
Anything you’d like to say to aspiring authors everywhere?
Don’t let the publishing gremlins get you down.
Amy Sue Nathan is a published freelance writer and editor, and the editor of STET! The Backspace Blog and the Backspace monthly newsletter. You can read Amy's writing and find more information on editing and critique services on her blog. You can also follow her on Twitter @AmySueNathan.
For those of you itching to enter a contest, please stay tuned. We have more planned for this year. Hopefully this will be one of many success stories in 2011.
Stina Lindenblatt writes romantic suspense and young adults novels. In her spare time, she’s a photographer and blogging addict, and can be found hanging out on her blog, Seeing Creative.
Friday, April 9, 2010
From Jason Yarn: Winners!
I know, I know, you're all ticked there's no real Pulse today. But dudes, today I'm letting all the glory bask on literary agent Jason Yarn. He's come back with five winners -- AND explanations for why he chose them!
Here we go...
Thank you to everyone who sent in pitches – this was a fun contest and it was very difficult to just settle on five entries. The winners though, really grabbed my attention and made me eager to read more. Of course, if you didn’t win, I do hope you’ll still send me your query letters to consider.
Here are my thoughts on selecting the winners:
THE SWEET SPOT by Kristine Carlson Asselin: Ms. Asselin’s entry is (excusing the pun) pitch perfect. The pitch showed me the risks and plan of the main character, along with a touch of danger in the blowtorch (as well as raising the question – what kind of damage can you do with a blowtorch to a golf course?). The excerpt gave me a nice sense of Ms. Asselin’s voice in her attention to detail and painted a picture of Kate squaring up to the tee with a look of cool determination on her face.
FRIENDS WITH DEATH by Christine Nguyen: Ms. Nguyen’s pitch made me smile and then her excerpt made me laugh – a key way to judge if I’m going to like a book on the whole. The image of a hot Death making eyes at the main character was pretty funny, and brought to mind a lot of uncomfortable situations. Mary Kate’s wanting to get out of a test by way of wished-for vehicular assault rang true in the way of teenagers’ sometime callous disregard for others (without meaning it, of course).
STATE OF DISARRAY by K.C. Friese: This pitch packed a shotgun of information, but did it in an accessible and fun way. It also raised questions about the alternate history goings on (why is NoCal seceding?) and how the main character’s plight connects to it all. The excerpt is a tad jumbled, but K.C. successfully gets across a migraine attack overtaking Augie, and so it’s fair to say the writing reflects that traumatic event.
THE GLASS HOUSE by Amy Sue Nathan: Ms. Nathan’s pitch was solid, but didn’t totally grab me. What did grab me, and what I thought should have been her pitch, was the first line in her excerpt. It’s a great contrasting image. That line made me very curious about the rest of the book and the subsequent paragraph was a nice layout to what’s to come for Evie Glass.
THE AWAKENING OF ANNA BRIGHTON by Caroline Tung Richmond: Ms. Richmond’s pitch is great sci-fi – the newly birthed hero, a savior to the human race, but at what cost to their own humanity? The excerpt needs some polish, but it conveys that moment of birth and terror very well, showing Anna’s introduction to the world.
Thank you everyone!
- Jason Yarn
WINNERS: Congrats! Please email me (elanajohnson(at)querytracker(dot)net for instructions on how to get your query and first 10 critique from Mr. Yarn.
EVERYONE: Thanks for a great contest.
MR. YARN: You rock!
And PS: Mr. Yarn said he liked some others as well, and would be contacting those people directly. Squee!
Have a happy Friday!
Here we go...
Thank you to everyone who sent in pitches – this was a fun contest and it was very difficult to just settle on five entries. The winners though, really grabbed my attention and made me eager to read more. Of course, if you didn’t win, I do hope you’ll still send me your query letters to consider.
Here are my thoughts on selecting the winners:
THE SWEET SPOT by Kristine Carlson Asselin: Ms. Asselin’s entry is (excusing the pun) pitch perfect. The pitch showed me the risks and plan of the main character, along with a touch of danger in the blowtorch (as well as raising the question – what kind of damage can you do with a blowtorch to a golf course?). The excerpt gave me a nice sense of Ms. Asselin’s voice in her attention to detail and painted a picture of Kate squaring up to the tee with a look of cool determination on her face.
Kristine's pitch:
With the family golf course on the verge of bankruptcy, Kate decides she's going to be the first girl to win the Junior State Championship to draw the crowds back, but her plans are derailed when her best friend and crush is accused of vandalizing the course with a blowtorch.
Kristine's excerpt:
"A girl has never won." He winked. "Yet."
Her father's words rang in her head as Kate Anderson breathed in her favorite smells; freshly mowed grass and the perfumey scent of rose hips that grew wild at the property line. She walked to the edge of the tee box and bent to pluck a handful of crab grass. It was easy to pretend the grass was lush and green, not brown and dry. Coming back to the patch of dirt where she'd teed up the ball, she threw the grass into the air. The blades fluttered down gently to her left side. She'd have to adjust her swing to account for the breeze. No problem.
FRIENDS WITH DEATH by Christine Nguyen: Ms. Nguyen’s pitch made me smile and then her excerpt made me laugh – a key way to judge if I’m going to like a book on the whole. The image of a hot Death making eyes at the main character was pretty funny, and brought to mind a lot of uncomfortable situations. Mary Kate’s wanting to get out of a test by way of wished-for vehicular assault rang true in the way of teenagers’ sometime callous disregard for others (without meaning it, of course).
Christine's pitch:
When the charismatic Death makes 17-year-old Mary Kate Stewart choose between saving her dying boyfriend or her gift - the ability to see when people are going to die - she can't help but wonder if he wants to be more than just friends.
Christine's excerpt:
Mary Kate Stewart secretly hoped that her Calculus teacher would get hit by a taco truck. It was Monday, 1:15 p.m. when she had that thought. She knew the exact moment because that’s all she was doing – staring at the clock and wishing for the demise of Mr. Randolph Hagen. She didn’t want him to actually die, but if the accident caused the kind of amnesia where you forgot one specific thing and that thing just happened to be Friday’s Calculus test, she’d be all for supporting careless lunch truck drivers.
STATE OF DISARRAY by K.C. Friese: This pitch packed a shotgun of information, but did it in an accessible and fun way. It also raised questions about the alternate history goings on (why is NoCal seceding?) and how the main character’s plight connects to it all. The excerpt is a tad jumbled, but K.C. successfully gets across a migraine attack overtaking Augie, and so it’s fair to say the writing reflects that traumatic event.
K.C.'s pitch:
It's December of '41, the country is hours from war, Northern California is seceding from the Union, and Augie Matayzel couldn't care less - he's a little drunk, a lot in love and running for his life from the sheriff.
K.C.'s excerpt:
Augie Matayzel used the brief moment to reflect that religion is not what The Lord had in mind. He might have gone on - layering the thought with examples of religious fervor run amok - had he not known a very painful message was, in that same instant, rising to his brain like so much bread dough. Instead he allotted the time remaining to dropping the pry bar, falling to his knees and clamping shut his eyes. He battled an additional impulse to crumple to the ground and cry like a kitten, then lost that fight when a white flash ignited between his temples. "S**t!" he said, hitting the dirt.
THE GLASS HOUSE by Amy Sue Nathan: Ms. Nathan’s pitch was solid, but didn’t totally grab me. What did grab me, and what I thought should have been her pitch, was the first line in her excerpt. It’s a great contrasting image. That line made me very curious about the rest of the book and the subsequent paragraph was a nice layout to what’s to come for Evie Glass.
Amy Sue's pitch:
Amidst a torrent of grief, betrayal and bake sales, Evie Glass convinces herself, and a town full of nosy neighbors, to redefine the meaning of family.
Amy Sue's excerpt:
Evie never expected to get divorced, let alone sit Shiva for her ex-husband in a house with a Christmas tree. Yet there she was.
The imitation pine tree was dressed in tinsel and shiny red balls. Hallmark ornaments masquerading as heirlooms dangled from its branches. Stockings hung from the mantel above a card table topped with a green velveteen runner, holly-stamped paper plates and a Lucite platter heaped with lox, cream cheese balls and a mountain of seeded bagels. Richard had mocked Christmas folderol until he married Nicole a year before. Now he was being mourned in the company of a motorized Santa. Evie shook her head, unsure which was more shocking – the attempt for cultural balance or Richard’s sudden death.
THE AWAKENING OF ANNA BRIGHTON by Caroline Tung Richmond: Ms. Richmond’s pitch is great sci-fi – the newly birthed hero, a savior to the human race, but at what cost to their own humanity? The excerpt needs some polish, but it conveys that moment of birth and terror very well, showing Anna’s introduction to the world.
Caroline's pitch:
Fifteen-year-old Anna Brighton has spent her entire life sleeping in a steel incubator; but on her sixteenth birthday, Anna is finally awakened to fulfill her purpose—to bear the children for her sterile city.
Caroline's excerpt:
I awaken in a flood of water.
The freezing liquid pours into my mouth and gushes down my throat.
My arms flail.
My legs kick.
My fingernails scrape against the metal box that surrounds me.
But the water overtakes my body.
As my muscles go slack, the top of the box tears open and my eyes fill with light. Somebody's hands plunge into the water and grip onto my shoulders, hauling me out. I slam onto the floor. Shivering. My lungs gasp for air, but I cannot breathe. Something has lodged in my mouth.
Thank you everyone!
- Jason Yarn
WINNERS: Congrats! Please email me (elanajohnson(at)querytracker(dot)net for instructions on how to get your query and first 10 critique from Mr. Yarn.
EVERYONE: Thanks for a great contest.
MR. YARN: You rock!
And PS: Mr. Yarn said he liked some others as well, and would be contacting those people directly. Squee!
Have a happy Friday!
Monday, March 29, 2010
Agent-Judged Contest with Jason Yarn
Jason Yarn at Paradigm Literary Agency is hosting our contest today!
The contest is now open. CLICK HERE TO GO TO THE SUBMISSION FORM. You must have a QT account (free) and login to access the form.
You’ll be submitting a one-line pitch and the first paragraph of your manuscript.
The contest is open to all genres except short stories and romance.
Mr. Yarn is accepting 100 entries.
Some advice from Mr. Yarn as you prepare your submission:
Mr. Yarn will review the entries and choose up to five winners. He’ll be critiquing your query letter and the first 10 pages of your manuscript!
We anticipate announcing the winners on Friday, April 9 here on the QueryTracker blog. So follow us (widget right over there -->).
The contest is now open. CLICK HERE TO GO TO THE SUBMISSION FORM. You must have a QT account (free) and login to access the form.
You’ll be submitting a one-line pitch and the first paragraph of your manuscript.
The contest is open to all genres except short stories and romance.
Mr. Yarn is accepting 100 entries.
Some advice from Mr. Yarn as you prepare your submission:
- Be careful if you make your one-line pitch a question. It’s not verboten, but asking me something I can answer ‘No’ to is always a dangerous thing.
- Don’t be flabby – be concrete. Meaning, your pitch line shouldn’t be full of generic clichés like ‘Fate’ and ‘Doom’ without being tied to a concrete story element or character.
- Your pitch should drive me to read your first paragraph and your first paragraph should make me feel like I’ll die if I don’t see more – you don’t need to tell your entire story in either part, just addict me to wanting to find out what happens next. Good luck!
Mr. Yarn will review the entries and choose up to five winners. He’ll be critiquing your query letter and the first 10 pages of your manuscript!
We anticipate announcing the winners on Friday, April 9 here on the QueryTracker blog. So follow us (widget right over there -->).
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