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Showing posts with label commas. Show all posts
Showing posts with label commas. Show all posts

Monday, June 25, 2012

Using Dialogue Tags and Punctuation Properly

Dialogue can be tough, but for a lot of writers, tagging and punctuating it correctly is even harder. Here are some of the most common errors I see, and how to correct them.

Dialogue Tags

You should use a dialogue tag anytime it’s not completely clear who is speaking. 

A dialogue tag lets the reader know who’s speaking. He said and she said are the most common dialogue tags, though if it’s not completely clear who’s speaking when you use he said or she said, it’s time to use your characters’ names. Let’s pretend for the example below that we’ve just started a new scene:

 “Sorry I’m late,” June said.
 “Where were you?” David said.
  “I just ran by the grocery store on the way home.”

In this example, we tag both June’s dialogue and David’s dialogue with their names. That way everyone knows which characters are involved in the scene. In the third sentence, we skipped the dialogue tag completely, because it’s unnecessary. We know that June and David are the only people involved in this conversation, so once June starts speaking again, we don’t have to tag her dialogue.

However, you may not be able to go more than a few lines without some kind of indication of who’s speaking. If you do, the reader will start to get confused.

For example, if we pick up where we stopped with June and David’s conversation:

        “I just ran by the grocery store on the way home.”
        “I wish you’d called to let me know you were going to be late. I was starting to worry about you.”
         “I had my phone on.”

By that third line, “I had my phone on,” we  may want to add a sentence tag back in (“I had my phone on,” she said), both to keep the reader from getting lost and to break the dialogue up a bit.

If someone new has several lines to say, and it’s probably not going to be entirely clear who’s speaking until you reach the ___ said  tag, then you should insert the dialogue tag after the first sentence of his or her speech, like this:

“I’m sorry I’m late,” she said.  “I lost track of the time.”

Said

As I mentioned above, said is the most common dialogue tag, because it disappears for the reader. In other words, as readers, we’re so used to seeing it that we don’t really notice it while we’re reading. This keeps it from feeling redundant, even if it’s used frequently.

You should use other tags—like shouted, screamed, bellowed, sobbed, sang, blurted, whispered, wailed—sparingly. These stand out in a big way, and can be very distracting for the reader, particularly when your writing is peppered with them.  You may feel like you need to use such strong verbs regularly to show your characters’ emotions, but you’re usually better off adding a brief sentence that shows the character’s body language or actions instead.

Rather than saying,

“I’m sorry I’m late,” she said regretfully.

or even

“I’m sorry I’m late,” she murmured.

in many cases you may be better off showing the character doing an action. This helps bring the scene to life for the reader.

“I’m sorry I’m late,” she said. She shuffled her feet, avoiding his eyes.

Sometimes you don’t even need the “she said” part:

“I’m sorry I’m late.” She shuffled her feet, avoiding his eyes.

Note, however, that in the example above there should be a period at the end of the line of dialogue, not a comma, the way there is when the dialogue is followed with _____ said. A lot of writers try to follow dialogue with a comma and then an action, but you can’t speak an action. For example:

Wrong: “Not even one,” she offered him a halfhearted shrug.
Right: “Not even one.” She offered him a halfhearted shrug.
Wrong: She offered him a halfhearted shrug, “Guess I got lucky.”
Right: She offered him a halfhearted shrug. “Guess I got lucky.”

You can also include information on what’s happening before or during the dialogue. As I noted earlier, this breaks up the dialogue and can make it feel more natural, since most people don’t speak super-fast without taking pauses. For example:

The man gripped her elbow, steadying her.  “Let me help you,” he said.  “You’re covered in blood.  Is it yours?”

Finally, you can put the dialogue tag in front of the dialogue, though this is a less conventional approach, so it should be used with care. For example:

The two women eyed each other. Then Abbey said, “Are you trying to trick me?"


Finally, if someone is, for example, asking a question, you should always use a proper question mark at the end of the line of dialogue, and then add your ____ said as if you had used a comma (ie, with a lowercase he said or she said rather than a capitalized He said or She said).

For example:


Wrong: “You have to send anyone else to the hospital?” She said.
Right: “You have to send anyone else to the hospital?” she said.


And to pull together several principles we’ve discussed:

        “Hey,” he said.
        “You have to send anyone else to the hospital?” she said.
        He nodded, checking off several adjectives in the mental status area of the intake form.“Three others.”
        “Delusions of influence?”
         “Well, I don’t know that the girl who thought she could disappear would count as a delusion of influence, but the others…yeah, they kind of fit that category.”  He tapped the tip of his pen on the table.  “How about you? Did you have to send anyone to the hospital?”
         “Not even one.”  She offered him a halfhearted shrug. “Guess I got lucky.”




Carolyn Kaufman, PsyD's book, THE WRITER'S GUIDE TO PSYCHOLOGY: How to Write Accurately About Psychological Disorders, Clinical Treatment, and Human Behavior helps writers avoid common misconceptions and inaccuracies and "get the psych right" in their stories. You can learn more about The Writer's Guide to Psychology, check out Dr. K's blog on Psychology Today, or follow her on Facebook or Google+! 

Monday, September 19, 2011

The Grammar Hokey Pokey

You put the comma in…
You take the comma out… 
You put the comma in
And you shake your fists about…

We’re always looking for a way to stand out from the crowd. Our voice. Our stories. Our hooks. Our platforms. Those are all good ways. But…grammar? Grammar is non-negotiable. You don’t want to stand out by re-writing the rules. I mean, you wouldn’t type your query or synopsis in txt spk (lol) or ALL CAPS, would you? Louder is not better. It’s just annoying.

Bad grammar is annoying, too. Learn the rules. Improve your craft. Be a master of language. That’s a much better way to stand out.

I assume everyone will spell check and knows the difference between your and you’re (and, goodness help us, yore.) But what about the trickier things like that versus which? Or…

dun dun duhnnnnnn

Commas.

That’s right. Commas. Those tiny twists of pure evil. Those little hooks that snag up our sentences and send us sprawling.

I hate ‘em, myself.

But, alas, being a writer means we need to remain objective when it comes to proper punctuation. Love them or hate them, the laws of grammar must be obeyed.

I Put The Commas In

In an effort to improve my craft, I often take online courses through Pennwriters, my writers’ organization. One particular class focused on scene and sequence but I got a bonus lesson—commas.

Commas do one of two things, my instructor said. They either set off or separate. She then went on to discuss clauses and all these other things my English teachers tried in vain to teach me. I studied, I evaluated my writing, and I saw what I’d been doing wrong: I had a tendency to place commas where they didn’t belong.

Thus, lesson learned, I opened my 106,000-word manuscript and fixed every comma gone wrong.

I Took the Commas Out

Satisfied with my new mastery of commas, I made a solemn vow to abuse commas no more and sent out a submission to a publisher. The rejection was shocking. There's quite a few simple grammar errors in your synopsis -- missing commas mostly -- and if they're in your query it makes me think they'll also be in your novel. I'm afraid that over 100'000 words it's the sort of thing that would send an Editor a bit batty.

What? Were they kidding me? I was so incensed I almost organized a cage match between that slush reader and my instructor. Instead, however, I settled for some teeth grinding and adding the publisher to my ignore list. I’d let those editors retain their questionable sanity and I’d stay far away from people who were obviously heavy comma abuse addicts. The last thing I should have done was respond with an angry retort or, worse yet, lecture on proper punctuation. Not all junkies come clean. I was too new to comma sobriety to hang out with people exhibiting at-risk behaviors.

And I Shake My Fists About

As writers, we have a duty to learn the rules of the craft. Sometimes the rules are slippery and seem to change at the whim of whoever is in charge. For example, I once got editor’s notes back on a short story only to find he added in a bunch of terrible commas. I could have fought the madness…but I was in a rather lenient mood. I just accepted the track changed and did a little *head desk* thing.

It’s his magazine, I reminded myself. He can put commas wherever he pleases. At least he didn’t blame any type of mental illness on me.

Maybe we have to bend a little and play by their rules if it comes down to having a contract or not. Regardless. We still need to learn all we can. Our reputations and our first impressions may depend on it.

I recently came across the comma topic on the QueryTracker.net Forum. One of our QTs gave a beautiful summation of comma usage. (The post is a must read. Thanks, Tabris!)

Could commas be explained so simply? And were there actually other Elements of Style nerds out there? At least I now know where all that previous publisher hate came from. They weren’t comma abuse junkies--they’re just European. (Explains their comma-awkwardness.)

Tabris also went a long way to confirm everything my Pennwriters instructor told us. It helped heal the wound left behind by that publisher’s rejection. (Hey, those things sting.)

Good luck, writers, on your own grammatical gauntlets and your word dances and your quests for good craft. Be true to the rules and obey the laws of punctuation. Do not, as William Sabin writes in THE COMMA, Excerpt from The Gregg Reference Manual, sprinkle commas down upon your writing like confectioners’ sugar upon a cake. Go forth and inflict comma trauma no more.

You do the Grammar Hokey Pokey
and revise another round—
That’s what it’s all about.





Ash Krafton is a speculative fiction writer who resides in the heart of the Pennsylvania coal region, where she keeps the book jacket for "Abraham Lincoln: Vampire Hunter" in a frame over her desk. Visit the Spec Fic Website at www.ashkrafton.com for updates on the release of her debut novel, Bleeding Hearts, forthcoming in early 2012 through Pink Narcissus Press.