Friday, October 29, 2010
Contest Update
Publishing Pulse: 10/29/2010
QueryTracker News After hearing 200 webinar pitches, Kristin Nelson compiles ten likely reasons your pitch may have been rejected. (Many of which are avoidable.)
And author Bill Morris gives a reflection on the changing face of rejection in The Sorry State Of The Rejection Letter.
Literary Quote Of The Week
"I never write exercises, but sometimes I write poems which fail, and then I call them exercises." -Robert Frost
Jane Lebak is the author of The Guardian (Thomas Nelson, 1994), Seven Archangels: Annihilation (Double-Edged Publishing, 2008) andThe Boys Upstairs (this December from MuseItUp). At Seven Angels, Four Kids, One Family, she blogs about what happens when a distracted daydreamer and a gamer geek attempt to raise four children. She is represented by Roseanne Wells of the Marianne Strong Literary Agency.
Thursday, October 28, 2010
Contest Closed
The response time and announcement of the winners (who will receive full and partial requests from Ms. Paquette) will depend on the number of entries. The more entires, the longer it will take--one of the pitfalls of not having an entry cut-off.
Ms. Paquette hopes to have the results within two weeks. I'll give updates as to her progress, and the winners will be notified directly via email as well.
Good luck to all who entered!
If you have any questions or comments, feel free to post them in comments or email me at marytlindsey@gmail.com
Wednesday, October 27, 2010
Agent Judged Contest Has Begun!
Our agent-judged one-line pitch contest began today, Wednesday, October 27th at 9:00 am Eastern Standard Time.
Joan Paquette of the Erin Murphy Literary Agency is judging the contest.
The contest entry window is 24 hours and will end at 9:00 am Eastern Standard time on Thursday, October 28th.
You may pitch more than one project, but be certain all projects are complete, edited and polished enough to present to an agent.
Submissions must be made via our online submission form. (A free QueryTracker.net membership is necessary to use the form and can be accessed from the form page.) Only entries received through the online form will be accepted. Entries emailed directly to the agent or agency will be disqualified.
This contest is for completed children’s projects only. The genres include children’s literature from picture books and chapter books through middle grade and young adult novels of all sub-genres. NO ADULT NOVELS OR PROJECTS as this agency only represents children’s fiction including YA.
Ms. Paquette wants to receive one-line pitches and the first 100 words of your manuscript (+ or – half a sentence. Don’t just end mid-sentence).
Details for this contest were posted yesterday and have been in the contest widget in the sidebar for several weeks.
The response time and announcement of the winners (who will receive full and partial requests from Ms. Paquette) will depend on the number of entries. The more entires, the longer it will take--one of the pitfalls of not having an entry cut-off. Ms. Paquette hopes to have the results within two weeks. I'll give updates as to her progress and the winners will be notified directly via email as well.
If you have any questions or comments, feel free to post them in comments or email Mary at marytlindsey@gmail.com.
Best of luck to everyone and special thanks to Ms. Paquette for judging.
Tuesday, October 26, 2010
Agent Judged Contest Begins Tomorrow!
Agent Joan Paquette from the Erin Murphy Literary Agency will judge our contest that opens tomorrow, Wednesday October 27th at 9:00am Eastern time and ends 24 hours later at 9:00am Eastern time on Thursday, October 28th.
EMLA represents children's literature only, so no adult projects in this contest, please.
Ms. Paquette wants to see a one-line pitch and the FIRST 100 words (plus or minus 1/2 sentence--don't just cut it off mid sentence) of completed children's picture books, chapter books, middle grade novels, or young adult novels.
Wishing everyone the best.
The how-to of one-line pitches.
http://querytracker.blogspot.com/2009/04/dreaded-pitch-what-to-include-in-that.html
Examples of excellent pitches:
http://querytracker.blogspot.com/2009/04/one-line-winners.html
http://querytracker.blogspot.com/2010/05/from-chris-richman-winners.html
http://querytracker.blogspot.com/2010/04/from-jason-yarn-winners.html
* Please note: Sometimes the email notifications from this blog do not go out right when the post is published (a Google Blogger issue we cannot control). If you are an email subscriber, please realize this email might arrive after the contest has begun. We have given weekly reminders of the contest on the Friday Publishing Pulse. In addition, the information has been posted in the sidebar of this blog for close to a month.
Monday, October 25, 2010
Tuning Up Your Mechanics
Here are some tips to help your readers enjoy the ride rather than worying about the springs sticking out of the seats.
1. Mechanics
You’d never take your car on the road if the tires were full of holes. So don’t send out your manuscript without perfect mechanics: grammar, punctuation, and spelling.
I see a lot of writers who expect their crit buddies or beta readers to fix their mechanics, but those writers are cheating themselves. They’re never going to get an in-depth critique that will help them make their story better. Nobody worries about critiquing plot, characterization, or dialogue when they’re reading work by someone who misuses every other homonym.
If you’re not good at grammar, that’s okay. Take a class at your local community college or buy/borrow some reference books. Strunk &White's The Elements of Style
2. Tightening
When a reader says you need to tighten your writing, she means you need to remove clunky, extraneous words and phrases. Often they're hard to see until you know what to look for, but they rattle around like loose screws. Here are some tips to help you find and get rid of them.
a. Use strong verbs rather than adjectives and adverbs.
Example: She flung the door open is better than She pushed the door open forcefully.
b. Remove redundancies.
Example: “What were you thinking, you idiot?” he said irritably tells us that the person is angry twice — once through dialogue and once through a verbal tag. Just stick with the dialogue and cut the verbal tag completely.
c. Say everything as efficiently as possible. Pretend that you’re being charged for every word you use. Don’t you want to make sure you’re getting your money’s worth?
Example: He walked right up to her, so close they were nearly touching, trying to intimidate her with his size becomes He moved closer, using his size to intimidate her.
d. Avoid cliches. We often use cliches because they so often fit. "Prim and proper" or "tall, dark, and handsome" may very well fit your characters. The problem is, they fit a lot of other people's, too, and since you want your story to stand out from the rest, you need to make your descriptions unique.
Example: It was raining cats and dogs becomes It was raining, huge warm droplets that pattered on the blacktop like thousands of tiny feet.
3. A Fresh Coat of Paint: Being Unique
When you go to buy a car, you want the most mechanically sound car you can find, but if you're like most people, you also care how it looks. You can really make your writing stand out if you can find unique ways to say things. Don't be afraid to indulge in a little wordplay, trying out unusual turns of phrase or comparisons.
a. Indulge in the sensory details. For each scene, you need to close your eyes and imagine how the situation smells, tastes, sounds, looks, and feels. You probably won't describe each sense in most scenes, but knowing will help you choose the most relevant and striking details.
Example: Like soft, dark wings, his voice folded around me. I was at once enveloped by warmth and aware of coldness at the base of my neck. Legs stretched out in front of him, feet braced apart, he was watching me.
b. Use metaphors and similes. Don't be afraid to compare something to something else, directly or indirectly, as long as you do it in your own words.
Example: A traffic light flashed by; the wire that had once held it aloft eddied across the road in a black tangle. Green and red and gold chips were spattered across the asphalt like misplaced casino currency.
Want to learn more? A few books that have really helped me get better at editing my work include
* Write Tight
* Revision and Self-Editing
* Self-Editing for Fiction Writers: How to Edit Yourself Into Print
* Make Your Words Work: Proven Techniques for Effective Writing

Carolyn Kaufman, PsyD writes fantasy, scifi, and nonfiction. She loves helping writers "get their psych right" in their stories, and her book on the same topic, THE WRITER'S GUIDE TO PSYCHOLOGY: How to Write Accurately About Psychological Disorders, Clinical Treatment, and Human Behavior is now available for pre-order. Learn more about the book at the WGTP website or ask your own psychology and fiction question here.
Friday, October 22, 2010
Publishing Pulse: 10/22/2010
So I was in Michaels (the craft store) the other day, and they were setting up the Christmas stuff. I guess I should be impressed that it took them almost to Halloween to get to it -- a lot of places start getting out the trees come the first week in October.
In any case, whether you celebrate Christmas, Hanukkah, Kwanzaa, or something else, holidays are the season for gifts! If you (or a writing buddy) have always wanted a premium membership to QueryTracker, the holidays are a good excuse to get one! Did you know that you can purchase, print, snail mail, or email a QueryTracker.net gift certificate from http://querytracker.net/gifts.php?
Around the Web
Jane Friedman has a couple of great posts for you to check out over on There Are No Rules: First, find out 5 Things Writers Should Know About Rights; then, head on over to Kindle Singles: A Big Opportunity for Smart Writers to find out about a new opportunity through Amazon.com.
Ever wanted to use symbols in your story, but just weren't sure how to do it right? Now you can find out thanks to Novel Journey's fantastic Symbols for Everyone post.
Adventures in Children's Publishing shows you when it's okay to tell -- as long as you've got great voice -- in Voice and the Art of Telling vs. Showing.
Finally, over on the Blood-Red Pencil, read about how one author learned that Sex is Revealing...about, to her surprise, character.
Did you find any posts (written by other people) this week that you thought were particularly good? Share them in the comments!

Carolyn Kaufman, PsyD writes fantasy, scifi, and nonfiction. She loves helping writers "get their psych right" in their stories, and her book on the same topic, THE WRITER'S GUIDE TO PSYCHOLOGY: How to Write Accurately About Psychological Disorders, Clinical Treatment, and Human Behavior is now available for pre-order. Learn more about the book at the WGTP website or ask your own psychology and fiction question here.
