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Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Monday, November 17, 2014

Sleeping with Symbolism


A few months ago, I re-watched the suspense movie Sleeping with the Enemy. The story is about a young house wife (Julia Roberts) who fakes her death in an attempt to flee her nightmarish marriage, only to discover it’s impossible to escape her controlling husband. I still get chills thinking about it.

During one scene, the abusive husband hits Laura and she falls to the floor.  She pushes herself up to a sitting position, her long red hair spilling around her shoulders, legs bent to the side. At that moment, she reminds me of Ariel from The Little Mermaid. When Laura tries to stand, after her husband leaves, her legs are shaking so badly, she resembles Ariel after the sea witch turned her into a human, and Ariel takes her first steps into the new world. In Sleeping with the Enemy, this image is symbolic foreshadowing. What her husband doesn’t know is that Laura has been learning to swim, to overcome her fear of the water. She is a mermaid, so to speak. Soon after, she fakes her death in a drowning accident and escapes to a new life. The "mermaid" scene also symbolically foreshadows Laura moving to a new world (like Ariel did). She escapes from the massive, ocean-front property on Cape Cod to a cozy house in small town Cedar Falls, Iowa. Even the style of furniture is a complete opposite between the two places.

That evening, after Laura’s husband hits her, he gives her red roses and red lingerie. They are supposed to represent his “love”, but they really symbolize the physical and emotional abuse (blood, danger) she suffers at his hands.

After Laura escapes her husband, she takes a Greyhound bus to her new destination. As it arrives, we see Laura looking out of the bus window and the reflection of the American flag waving in the breeze. The American flag symbolizes freedom and the home of the brave. It’s the perfect symbol for Laura’s courage and the new life she hopes to establish in Cedar Falls.

Symbolism works both at a conscious and unconscious level. When we read a book or watch a movie, some symbols will jump out at us, especially if the creators have done a good job drawing your attention to it. With other symbols, you won’t stop to analyze it. For example, if the scene takes place in a room with green walls, you won’t be thinking that the director wanted to reveal the subtext of life. But you can guarantee someone behind the scenes purposely picked that color because of what it symbolized, and not because it was her favorite color.

In the first season of Criminal Minds (spoiler alert), there was one episode (Compulsion) in which fire and the number three were important elements in the show. Among other things, fire represents anger and divinity (Symbols, Images, Codes: The Secret Language of Meaning in Film, TV, Games, and Visual Media by Pamela Jaye Smith). The FBI behavioral profilers eventually figure out that the unsub (i.e. the serial arsonist/murderer) was starting fires based on the need to test her victims. If they survived the fire, they were free of the wrath of God. The number three (or rather the triad of the number three) would set off the unsub. The creators could have randomly selected any number, but three (like other numbers) has a symbolic meaning. In Christianity, it represents the Father, the Son, and the Holy Ghost.  As the unsub lined up the three bottles of flammable liquid, before dousing her three victims with them, she made reference to the bottles as the Father, the Son, and the Holy Ghost.

In the book (and movie) Where the Heart Lies, Billie Letts used a tree to represent life and growth. Pregnant seventeen-year-old Novalee (Natalie Portman) is abandoned by her boyfriend at a Walmart store. With nowhere to go (since her mother ran away with a guy years before), she secretly moves into the store. A woman (Stockard Channing) mistakes her for a young girl she once knew and gives Novalee a Welcome Wagon gift of a buckeye tree. As can be expected, the tree starts to die. Novalee tries to return it to the woman, who suggests they plant it in her garden, but only if Novalee comes by regularly to take care of it. This is the turning point in Novalee’s life (i.e. turning plot point). Ruth Ann’s actions are the first act of kindness Novalee has experienced in a while, and under the mothering of Ruth Ann, Novalee turns her life around. And of course (during the movie), we are reminded of this with regular shots of the growing tree.

In the buckeye tree example, the meaning behind the symbolism was obvious from near the beginning of the movie, and was carried throughout the story. In the Criminal Minds example, it was only obvious at the end of the show, when the behavior analysis unit solved the crimes.

Movies (and TV shows) are a great place to learn about symbolism, since the director, writers, set designers look for ways to insert it. Most of the time, we don’t notice it at a conscious level. It impacts us subconsciously. But when done well, it adds to the emotional satisfaction of the movie. If you apply the same principles to your stories, they will increase the emotional satisfaction your readers will get while reading your stories.

Do you watch for symbolism in movies and books? Do you pay attention to it in your stories?

 
Stina Lindenblatt @StinaLL writes New Adult novels. In her spare time, she’s a photographer and can be found at her blog/website.  She is represented by Marisa Corvisiero, and finds it weird talking about herself in third person. Her debut New Adult contemporary romance TELL ME WHEN and LET ME KNOW (Carina Press, HQN) are now available.

Wednesday, October 29, 2014

But I'm Not Making A Movie...



When I first started writing fiction, I studied craft books that focused on writing novels. What more could I want? They taught me everything I needed to know, or so I thought.

It wasn’t until I read Save the Cat by Blake Synder that I realized how much I can learn from books geared toward screenwriters, actors, and directors. I also discovered that authors with a background in cinema have an insight that could also benefit my stories.

Most of us are familiar with Writer’s Digest books. I can almost guarantee you’ve read at least one of their craft books. Michael Wise Productions is the cinema version of Writer’s Digest, and has an impressive list of books that will appeal to novelists, too. Topics range from story structure, subtext, symbolism, characterization, story lines. The best part is they use examples from well known movies and TV shows. You don’t have to suffer through an excerpt taken out of context or spend hours reading the novel. You can easily watch the show or movie in a fraction of the time.

As writers, we need to read. A lot. We read both in and out of our genre. We analyze stories, and figure out what we liked and didn’t like about them. You can do the same with movies and TV shows, and apply what you learned to your story. For example, you can study different techniques used in a movie, in a similar vein to your story, to see how the director conveyed mood (beyond the music). Then find a way to incorporate them into your writing. Analyze the symbols used to reveal characterization and plot. Study how the actors portray the characters. What kinds of physical details relating to the character or setting does the director zoom in on that adds power to the scene? Can you use some of those techniques in your story? I recommend reading Shoot Your Novel by C.S Larkin. She explains cinematography in a way that will change the way you write a scene. Some of the techniques we naturally use, but knowing them will help you gain maximum benefit from them.

In movies, the story is revealed through action and dialogue. There are no inner thoughts—most of the time. So how does the viewer get inside the actor’s head? Subtext. What do readers love? Subtext. Want to know how to do subtext well, then study movies. Analyze the difference between the great actors and the B-grade ones, then apply it your story to make it and your characters come to life.

Don’t just watch a movie for its entertainment value. Watch it. Study it. Dissect it. Just like screenwriters do.

Have you read any screenwriting books you recommend?


Stina Lindenblatt @StinaLL writes New Adult novels. In her spare time, she’s a photographer and can be found at her blog/website.  She is represented by Marisa Corvisiero, and finds it weird talking about herself in third person. Her debut New Adult contemporary romance TELL ME WHEN and LET ME KNOW (Carina Press, HQN) are now available.

Monday, March 18, 2013

The Emotional Impact of Symbolism



by Stina Lindenblatt @StinaLL

©Stina Lindenblatt

One way to create a richer story is by weaving in symbolic subtext. This is also a great way to reveal the story’s theme. I know, you’re now groaning, no thanks to flashbacks to your high school English class. But it’s not hard to add symbolism when you consider how many things in our world have been assigned different meanings. For example, we associate red with passion, anger, embarrassment, danger, power. Crows are symbolic with death and magic. Symbols are also effective when you give them meaning based on your own story. If a character swims in your story, swimming or the water the person swims in might be symbolic, and is woven throughout, further heightening the symbolic subtext.

Subtext works both at a conscious and unconscious level. When we read a book or watch a movie, some symbols will jump out at us, especially if the creators have done a good job drawing your attention to it. With other symbols, you won’t stop to analyze it. For example, if the scene takes place in a room with green walls, you won’t be thinking that the director wanted to reveal the subtext of life. But you can guarantee someone behind the scenes purposely picked that color because of what it symbolized and not because it was her favorite color.

In the first season of Criminal Minds (spoiler alert), there was one episode (Compulsion) in which fire and the number three were important elements to the show. Among other things, fire represents anger and divinity. It was eventually determined that the unsub was starting fires based on the need to test her victims. If they survived the fire, they were free of the wrath of God. The number three (or rather the triad of the number three) would set off the unsub. The creators could have randomly selected any number, but three has a symbolic meaning. In Christianity, it represents the Father, the Son, and the Holy Ghost.  As the unsub lined up the three bottles of flammable liquid, before dousing her three victims with them, she made reference to the bottles as the Father, the Son, and the Holy Ghost.

The movie Sleeping with the Enemy is about a young woman who fakes her death in an attempt to escape her nightmarish marriage. During one scene, the abusive husband hits Laura (Julia Roberts) and she falls to the floor.  Laura pushes herself up to a sitting position, her long red hair spilling around her shoulders, legs bent to the side. At that moment, she reminded me of Ariel from The Little Mermaid. When Laura tries to stand, after her husband leaves, her legs are shaking so badly, she looks like Ariel after the sea witch turned her into a human, and Ariel takes her first steps into the new world. In Sleeping with the Enemy, this image is symbolic foreshadowing. What her husband doesn’t know is that Laura has been learning to swim, to overcome her fear of water. She is a mermaid, so to speak. Soon after, she fakes her death in a drowning accident and escapes to a new life.

That evening, after Laura’s husband hits her, he gives her red roses and red lingerie. They are supposed to represent his “love”, but they really symbolize the physical and emotional abuse (blood, danger) she suffers at his hands. After Laura escapes, she takes a Greyhound bus to a small town in Iowa. As it arrives, we see Laura looking out of the bus window and the reflection of the American flag waving in the breeze. The American flag symbolizes freedom and the home of the brave. A perfect symbol for Laura’s courage and her new life.

Symbols can show up once in the story, or they can be repeated throughout the book. They can be obvious, as what happens when the camera zooms in on the symbolic object, or they can be subtle, nothing more than a mere mention in the middle of a paragraph. Movies are a great place to learn about symbolism, since the director, writers, set designers look for ways to insert it. Most of the time, we don’t notice it at a conscious level. It impacts us subconsciously. But when done well, it adds to the emotional satisfaction we get from watching the movie or when reading a book.

Do you watch for symbolism in movies and books? Do you pay attention to it in your stories? 




Stina Lindenblatt @StinaLL writes young adult and new adult novels. In her spare time, she’s a photographer and blogging addict, and can be found hanging out on her blog.  
 

Friday, March 11, 2011

Publishing Pulse: 3/11/11

Agent Success Stories
Congrats to our four success stories this week.

Agent Related Advice
Assistant agent Natalie Fischer talked about when the client/agent relationship doesn’t work anymore.

E-books
Nathan Bransford explained this week why some ebooks cost more hardcover.
Pimp My Novel talked about five things to know about the e-evolution.

Writer Conferences
Are you going to any upcoming writer conferences? Agent Janet Reid shared some advice about the benefits of attending conferences and what you shouldn’t do after attending one.

Conference Handouts for Free
Check out this listing of free handouts from the RWA (Romance Writers of America) annual conferences. You don’t have to be a romance writer to appreciate many of the handouts, which include topics on craft and promotion.

Free Online Conference
And if you haven’t already heard, the 2011 WriteOnCon dates are now out. Mark off your calendars for August 16-18th.  You don't want to miss out on the awesome event.

YA Fiction and Teen Opinions
Agent Mary Kole discussed the hierarchy of publishing opinions when it comes to YA novels.

Turning Your Book Into A Movie
Agent Rachelle Gardner talked about in the Hollywood side of the book deal (parts one and two).

 Hope you all have a great weekend!



Stina Lindenblatt writes romantic suspense and young adults novels. In her spare time, she’s a photographer and blogging addict, and can be found hanging out on her blog, Seeing Creative.